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Gay Interest
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Guardian 1000 Must See (2007)
Certification12
Our Rating
A lovingly created homage to the melodramas of the 1950s sees Frank and Cathy Whitaker's picture perfect marriage masking a relationship based on lies. A blossoming friendship with the black gardener and a husband whose fallen in love with another man leave Cathy shunned by her friends and neighbours, her outwardly idylic world finally revealed for the sham that it is. Far from Heaven looks stunning, the recreation of the period nothing short of immaculate, but I have never been a fan of 1950s m
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Certification15
Our Rating
Wow. Wow. Wow. John Cameron Mitchell directs and stars as Hedwig, transsexual punk rock goddess in this film adaptation of the highly-acclaimed rock opera. Hedwig tours America with his band, The Angry Inch, a reference to his botched sex change operation, in the wake of young rock icon, Tommy Gnosis. Tommy was a Jesus freak with a fish on his truck when Hedwig met him but soon they became a successful rock duo outgrossing monster trucks in Kansas City. But when it all becomes too much for To
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Certification15
Our Rating
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape reality Luis invents romantic movies, while Valentin tries to keep his mind on the situation he's in. During the time they spend together, the two men come to understand and respect one another. Absolutely brilliant.
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Certification15
Our Rating
The teenage son of a drag queen wants to marry the daughter of the Minister of Morals, and the parents are to meet. So the father has to act as the mother, but inevitably the real mother turns up. One of the most hilarious farces ever made using overt stereotyping with great sympathy. Remade by Hollywood (successfully!) as 'The Bird Cage'.
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Certification18
Our Rating
Pablo writes and directs plays and films; he's gay and deeply in love with Juan, a young man who won't reply to Pablo's affection or letters. Pablo's sibling Tina is a transsexual, angry at men, raising Ada, and trying to make it as an actress. Pablo takes up with Antonio, a youth who becomes jealous of Pablo's love for Juan. Antonio seeks out Juan, and violence leads to Pablo's grief and a temporary loss of memory. When memory returns, he learns that Antonio has taken up with Tina. In horror, h
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Certification18
Our Rating
A really weird little number. An alien who lives off the psychic energy generated by people achieving orgasm and by injecting heroin lands in Manhatten. To get this fuel it needs a human an agent - a fashionable deadhead who finds that her lovers vanish after climaxing. A useful weapon.
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Certification18
Our Rating
A fascinating biopic of Francis Bacon, concentrating on his relationship with George Dyer, a burglar whom he caught in his house and promptly seduced, whose amorality and innocence he found attractive and whom he introduced to his Soho pals. Dyer's bouts with depression, his drinking, pill popping and nightmares strain the relationship in this clash between the arty, boozy Soho set and the East End criminal fraternity, as does his pain with Bacon's casual infidelities. Bacon paints and talks wit
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Certification18
Our Rating
The best "buddy" movie ever made. Voight plays the naive rhinestone studded small-town boy who dreams of becoming a big-city gigolo, Hoffman is the frail, sickly hobo he takes under his wing. Stunning performances from both make this an outstandingly powerful and touching film. Very stylish. Won Best Picture at 1969 Academy Awards.
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Certification15
Our Rating
This is the story of a young Anglicised Pakistani and his erstwhile fascist ex-schoolmate, Johnny. Together they run a dilapidated laundrette, given to Omar by his rich uncle, and decide to turn it into a veritable palace, despite the hostility of Johnny's skinhead friends and Omar's cousin.
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Certification18
Our Rating
Based on the Marquis de Sade's novel, 120 days of Sodom, and transposed to Fascist Italy circa 1944, this is Pasolini's most controversial work. Pasolini observes with unflinching gaze the systematic humiliation and torture of beautiful young boys and girls, herded into a palatial villa by various jaded, sadistic members of the wealthy upper classes. According to the director, the story was meant to be a metaphor for Fascism, but the revolting excesses shown on screen coupled with the fact that
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