20th Century Flicks, Bristol

Not a Disney production, but as close as 20th Century Fox could get. With the Russian revolution as a backdrop, Anastasia is the charming tale of an amnesiac princess and her search to discover her true identity. Excellent animation, though the songs are cheesey in the extreme. find out more...

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ANGELINA BALLERINA: THE BIG PERFORMANCE (2005)

CertificationU Our Rating

Features eight animated episodes based on the books by Helen Craig and Katharine Holabird. Episodes include: 'The Royal Banquet', 'Angelina Mouse Detective', 'Angelina's Baby Sister', 'Midnight Muddle', 'The Silver Locket', 'Show And Tell', 'The Proposal' and 'Heads And Tails'. find out more...

ANGRY BIRDS (2016)

CertificationU Our Rating

A group of birds attempt to attack sheltered enemy pigs while creating as much damage as possible.

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ANGRY BIRDS 2 (2019)

CertificationU Our Rating

The flightless birds and scheming green pigs take their feud to the next level.

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ANIMAL FARM (1999)

CertificationPG Our Rating

Orwell's classic satire on Stalinist Russia as done by Jim Henson's workshop with added digital animation technique. find out more...

ANIMAL FARM (ANIMATED) (1955)

CertificationU Our Rating

The creatures outside look from pig to man and from man to pig and from pig to man again, but already it was impossible to say which was which. The first full length cartoon ever made in the UK was financed by the CIA and, except for the more up-beat ending, sticks faithfully to the plot. Based on Orwell's profoundly wrong view of the Soviet Revolution. find out more...

ANIMATRIX (2003)

Certification15 Our Rating

Nine short films that preclude and conclude the original 'Matrix'. Using a stunning mixture of Japanese anime and CGI this is a must for anyone who needs the gaps filled and an intriguing (if frankly confusing) curiousity for those who don't. find out more...

ANOMALISA (2015)

Certification15 Our Rating

I can’t stop thinking about Anomalisa. It isn’t the best or even the most entertaining film I’ve seen this year, but it’s stuck with me. Every fourth or fifth day since seeing it, when I’ve forgotten to busy my mind, allowing reflection and existential dread to set in, I think about it and another crisis of self and Other presents itself, and strikes a chord. Returning to Anomalisa in this piecemeal way – via the abstraction of my find out more...