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BADLANDS (1974)

Certification18 Our Rating

He was 25-years-old, combed his hair like James Dean. She took music lessons and could twirl a baton, she was 15. For a while they lived together in a tree house then in 1959, she watched while he killed a lot of people. A tale of two dumb kids going nowhere who achieved infamy in the US Midwest. The original to films like Natural Born Killers and True Romance. Sheen, Spacek and Malick debut in this impressive cult classic Brilliant - watch it! find out more...

Certification15 Our Rating

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

FREEWAY (1996)

Certification18 Our Rating

A screwed-up runaway teenage girl accepts a lift from a Mr Nice Guy, but soon realises he's a notorious serial killer. Having left him for dead she is soon arrested and facing a lifetime in prison, escapes, only to meet the killer again. A high quality, brutally comic, thriller with attitude. Very dark and very good.

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Certification12 Our Rating

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...


Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...