At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

A stunning dramatisation of the mesmerising life and ultimately tragic times of Edith Piaf, the ‘little sparrow'. The singer's life is beautifully evoked, as is the time, while Marion Cotillard in the central role is perfection. A moving and marvellous delight.....'Je ne regrette rien'. find out more...

'The Blonde Bombshells' were a glamorous, teen, female swing band from the war years. Forty years later Elizabeth tries to put the band back together and, by chance, meets the only non-female from the troop, a cross-dressing drummer. Together they track down their old cronies, find one dead, one mentally incompetent, one in prison, one in the Sally Army, one alcoholic... Rehearsals are poor, but when the singer joins them it all comes back. find out more...

Great doco about the early days of NY hip hop and life on the projects. One of the best features of this film is that it examines the political trajectory of Nas' career through his lyrics as well as the environment and familial situation that gave rise to his stardom. Must see for fans of his music. And anyone interested in the political side of rap music.

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Scorsese's tribute/parody/critique of the MGM musical is a razor-sharp dissection of the conventions of both meeting-cute romances and rags-to-riches biopics, as it charts the traumatic love affair between irresponsible but charming jazz saxophonist De Niro (dubbed by George Auld) and mainstream singer Minnelli. On an emotional level, the film is a powerhouse, offering some of the most convincingly painful rows ever shot, as a depiction of changes in American music and the entertainment world, i find out more...

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...

Furtwängler, conductor of the Berlin Philharmonic, was considered by many the most brilliant of the 20th Century, but he served as one of the Nazi's foremost cultural assets and flag-bearers. 'Taking Sides' recreates his suspenseful post-World War II interrogation by a tough talking American Major examining his role during the Third Reich in the most uncompromising of terms. The confrontation between the soft-spoken cultural icon of the old world and the rough, emotional hard-hitter from the new find out more...

In 1948 there was little room for progressive thinking within the confines of correctional boarding schools but when unemployed music teacher Clement Mathieu finds work as a proctor at one the mixture of abuse and indifference that the boys experience under their governmental guardians horrifies him. Determined to bring some light into the children’s miserable existence Clement decides to tutor them in the beauty of music. Nominated for two academy awards The Chorus is a delightfully observed ta find out more...

It's all sweetness and light in this moving music biopic classic of Glen Miller's impressive rise to fame with June Allyson playing his childhood sweetheart and James Stewart outstanding as the man himself. It's got all the great arrangements from 'Pensylvania 6-500' to 'Moonlight Serenade', all scored by Henry Mancini in homage to Miller's style, plus Louis Armstrong makes an appearance playing 'Basin Street Blues' and Frances Langford does 'Chattanooga Choo-Choo'. find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...