First installment of "The Apu Trilogy". Apu, the young son of an impoverished family, begins life in a small Bengali village. Here he tastes his first experiences of the world some happy, some sad, but always portrayed with compassion and a realism that's almost painful. Poetic and stunning. find out more...

A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie. 

 

Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...

All twelve episodes from the first series of the classic satirical puppet show. No target was safe from the series' gunsights: Margaret Thatcher and her cabinet, the opposition, the Liberals, Ronald Reagan, the Pope and the Royal Family could all find themselves up for a painful ribbing on any given programme. The series was worked around the current week's news stories and featured a number of famous impressionists, including Chris Barrie, Rory Bremner, Phil Cornwell, Steve Coogan, John Culs find out more...

In an unnamed European town, in an unspecified era, live Cynthia and Evelyn. Every day Evelyn cycles to Cynthia’s chateau to work as a lowly maid and every day the cruel, vindictive Cynthia inflicts countless sad find out more...

Released in 1951, it was a project of the Festival of Britain. Adapted by Eric Ambler from the controversial biography by Ray Allister, it gave a biographic account of William Friese-Greene, who first designed and patented a working cinematic camera. This claim is subject to some controversy, but evidence now tends to support it. The film was notable for its cast: many well-known British film actors appeared in cameos. It was completed and shown just before the end of the Festival, but the gener find out more...

A father, in pre-World War I France, is torn between his sense of honor and his deep love for his saintly daughter when she gets in trouble with the wealthy son of a shopkeeper.
A favourite of many for his work in front of the camera, Daniel Auteuil crosses the line assuredly, adapting and directing the film with great skill. It's a welcome addition to the body of Marcel Pagnol adaptations, which include Le Château de Ma Mère, La Gloire de Mon Père, Jean de Florette find out more...