Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

 

 

Scrat’s pursuit of the nirvana acorn causes yet another continental cataclysm which plunges our three bestest buddies into yet another perilo find out more...

Tony Stark is the epitome of "come-the-revolution…" capitalism, a morally ambiguous playboy billionaire who's built his wealth on mankind's incessant need to slaughter his fellows, but, after showing off one of his latest weapons to the military, Stark endures an experience that will leave him, both physically and mentally, a changed man. Stark is now an individual with a conscience, a burning desire to see justice done and the limitless cash to make it a reality… the building of a ‘superhero' find out more...