Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

The third part of Romero's zombie triology. A bigger budget than the other two and featuring state of the art zombies. A small bunch of survivors are holed up in a bunker with their hopes resting on a small group of scientists experimenting on the zombies. Tense rather than terrifying, and with a black comic undercurrent, it rests on the bleak observation that, zombies or no zombies, chances are that we, the living, will tear each other apart. Not for the faint hearted. find out more...

A cure for cancer has morphed into a deadly airborne virus and those it doesn't kill it turns into blood thirsty cannibalistic mutants. Virologist Robert Neville is stranded alone in New York with these neighbours from hell, immune to the virus and desperately searching for a cure that will make them less inclined to take a bite out of his arse. That is pretty much it, this weak adaptation of a dark and intriguing book was originally made into a much more effective and disturbing film, 'The Omeg find out more...

 

 

Scrat’s pursuit of the nirvana acorn causes yet another continental cataclysm which plunges our three bestest buddies into yet another perilo find out more...