Your Chosen Genres [ BAFTA (Best Female Lead) ] [ BAFTA (Best Film) ] Can be Combined with Other Genres. Click here to Combine Genres!
This list is sorted:
Alphabetically
By Rating
By Year Made
And is in:
Ascending Order
Descending Order

CertificationPG Our Rating

The story of an ambitious young clerk who abandons his real love so he can marry into a rich family. The first of the British "realist" pictures - films that dealt with working class people and the realities of the English class structure - as a change from cosey middle class drama. find out more...

CertificationU Our Rating

When Mr Dashwood dies, the bulk of his estate goes to his son by his first marriage, which leaves his second wife and three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapprove and separate them. And though Mrs Jennings tries to match the worthy (and rich find out more...

CertificationPG Our Rating

Lemmon is an ambitious young corporate executive who finds promotion comes his way most easily by lending out his flat for his superiors to pursue their extra-marital affaires. It all gets too much when a jilted Maclaine attempts suicide in his flat and he has to take the blame. A comedy classic. Won Best Picture at 1960 Academy Awards.

find out more...

Certification12 Our Rating

After the death of Princess Diana the nation dissolves into an out pouring of genuine unaffected grief, a sight that most of us will only witness once or twice in our lifetimes. But while the common man grieves many are angered by the seeming indifference of the Royal family, who shutter themselves away behind the walls of Balmoral. Helen Mirren is a stunning tour de force as the monarch struggling to come to terms with her role in modern Britain while Michael Sheen is faultless as the populist find out more...

Certification15 Our Rating

Burton and Taylor in a screen version of the kind of love-hate relationship which they were famous for in private, a kind of on-screen therapy. Taylor gives what is probably her finest performance as the blowsy harridan Martha, while Burton is not quite so hammy as usual as her angst-ridden college professor husband. The verbal fireworks that occur when they invite a young couple to dinner are surprisingly convincing. A must see classic. find out more...