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Certification15 Our Rating

In 100 days - between April 6 and July 16, 1994 - an estimated 800,000 men, women and children were brutally murdered in Rwanda, the victims being Tutsi and moderate Hutus. One man was tasked by the United Nations with ensuring that peace was maintained in Rwanda - Canadian Lieutenant General Roméo Dallaire. But unsupported by UN headquarters and its Security Council far away in New York, Dallaire and his handful of soldiers were incapable of stopping the genocide. After ten years of mental tort find out more...

Certification15 Our Rating

A highly acclaimed and influential account of Algeria's turbulent past made in psuedo-documentary style. The tense plot surrounds the rise of nationalist organisations in '54 and the French government's attempts to quell them. This film was the prototype for most political thrillers of the 1970s. find out more...

Certification15 Our Rating

After the 11th September 2001 the War Against Terror is preparing to move on to Iraq. The UN have sent in the weapons inspectors to find if Saddam has indeed Weapons of Mass Destruction and the political machines in both the UK and US are working to present the strongest possible case for war in the face of (in the UK) very vocal opposition from the public. With the dossiers released and the threat established the "need for war" is set and, on the 19th March 2003, th find out more...


Certification15 Our Rating

Returning to the topic of The Troubles, after his 1990 effort Hidden Agenda, Ken Loach has confirmed his place as a Grand Old Duke of British Cinema with the Palme d'Or winning 'The Wind That Shakes The Barley'. Leaving his traditional hunting ground of contemporary urban environs Loach takes us to Eire, in the 1920s, and to labourers joining forces to oust the British 'Black and Tan' soldiers sent in to crush the rebellion. Brothers Damien and Teddy join forces in the battle, Damien sacrificing find out more...

Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...