Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
Britain is under the grip of a brutal totalitarian regime but while the people live in wilful ignorance of their lack of basic freedoms one man is determined to bring about revolution and wreak vengeance on those that created him. Taking Guy Fawkes as his inspiration V sets in motion a chain of bloody and explosive events designed to bring the government to its knees and provide the populace with an opportunity to seize back their free will, should their apathy and fear allow them. Adapted fr find out more...
