find out more...

Suberb performances both from the leads and the assembled extras on yet another Altman masterpiece. Here he subverts the excepted modes of the Western genre with Beatty as the non-heroic McCabe and Christie as third-rate Madam. Life in the West probably was like this, but never is in the films. find out more...

Finally! A popular 'indie' movie written and directed by a woman! This film shines with wit and warmth and brains, interesting people, beautiful dialogue and dark, dark humour. find out more...

Life is crazy. You're crazy, I'm crazy, we're all crazy. We're all a little bit Minnie, and a little bit Moskowitz. Sometimes it does seem best to be sensible...but then what might you be missing out on? You gotta be you. You don't have to park cars and semi-randomly yell at people, but you can't hide yourself behind a veil (or dark sunglasses) and pretend and act like ever find out more...

After Renoir's reluctant addition of a couple of titles to satisfy the producers desire to expand to feature length, this masterpiece was finally released in 1946. On an idyllic country picnic, a young girl briefly leaves her family and fiance and succumbs to an all-too-brief romance. The careful reconstruction of period (around 1860) is enhanced by a typically touching generosity towards the characters and an aching, poignant sense of love lost, but never forgotten. And, as always in Renoir, find out more...

If you thought Hedwig and the Angry Inch was a film unlike any other you'd seen before, get ready for Shortbus: a frank and fun film about the sex lives of humans, ostensibly set in New York, but relevant to every one of us. The plot plays a supporting role in what is, in many ways, a beautifully disguised self-help documentary. Sex therapist Sofia (played by Canadian radio star, Sook-Yin Lee) has frequent, athletic (yet frustratingly unfulfilling) intercourse with her boyfriend. Her seeming ina find out more...

Anders Ronnow-Klarlund has pulled off something of a coup here. Billed as the first 'fully integrated' puppet feature, though the seminal Team America must have come a close second. Strings treads a very different terrain to the Parker/Stone collaboration though. The tone is more evocative of classical myth from one of the ancient civilisations. It deals with suicide, piety, long burning grudges, hidden identity, political corruption, greed, sexual desire and destiny. The style is reminscent of find out more...

Bearing the same title as the F. W. Murnau classic, shot in black and white and divided into two distinctive yet complementary storylines. Whilst the first part, shot in 35mm and in th find out more...

The death of a fellow guest in a hotel deep in the Sahara allows a world weary journalist, Nicholson, to switch identity. Gradually as he follows the trail of his new personality he discovers that the guy was no ordinary businessman but an international arms dealer. The movie, though, is less about plot than a haunting languid atmosphere which moves from the desert to London, Munich, Barcelona and the Catalan countryside. The best of Antonioni's three English-language pictures; this, Blow-Up find out more...

A superb and involving drama, exquisitely filmed, set in 50s Saigon. We follow the silently beautiful Mui in her capacity as servant girl to a rich family. The family's financial difficulties mean she must leave the only life she knows but the change brings love. Achingly, painfully beautiful. find out more...