Made eight years after Psycho, Perkins again plays a mentally disturbed young man. Just released from an institution for, as a teenager, burning down his aunt's house with her inside, he lives in a fantasy world, pretending he's a CIA agent. This seems to work brilliantly as a chat up line for he picks up a beautiful, but very gullible, all American small town girl. This is a pure mix of Hitchcock and 60s rebellion. Watch it. find out more...

Taking its cue from Chronicle (2012), Project Almanac is part of the "found footage" sci-fi phenomenon sweeping contemporary teen cinema. A group of friends discover time travel and use it to have a lot of fun; rewriting their entry into the high school popularity charts, partying without wasting time, acing tests and getting even with bullies. But, as science would have it, every action has its equal and opposite reaction. Soon the 'jumps' become a desperate attempt to rewrite the rewrite. G find out more...

Tony is an uneducated Brooklyn teenager. The highlight of his week is going to the local disco, where he is the king of the dancefloor. Tony meets Stephanie at the disco and they agree to dance together in a competition. A disco movie for people who don't go to discos, this is really about Growing Up - which the movie interprets as Growing Out of a Disco Mentality and into Personal Relationships. The relationship between Tony (Travolta) and Stephanie (Gorney) is at least as angst-ridden as anyth find out more...

Warren Beatty plays a womanising hairdresser in this satire on the easy come, easy go sexual morals of the late 1960s. Hoping, ultimately, to open his own salon Beatty's character is hamstrung not only by his own libido, but his dodgy financier with whose wife and daughter he is sleeping and who shares the same mistress. 'Shampoo' was a light, but still sharp, antidote to much of the intense Hollywood drama of the 1970s. find out more...

This hit series stars Gabriel Macht as one of Manhattan's top corporate lawyers who sets out to recruit a new hotshot associate but winds up hiring the only guy that impresses him--a brilliant but unmotivated college dropout (Patrick J. Adams). Though he isn't actually a lawyer, this legal prodigy has the book smarts of a Harvard law grad and the street smarts of a hustler. However, in order to serve justice and save their jobs, both these unconventional thinkers mus find out more...

A classic European fairytale comes to vivid Technicolor life in this story of a prince a spoilt princess, a singing ringing tree, an evil dwarf and a bear; oh, and true love. A gloriously gaudy tale... and the bear... did I mention the bear? find out more...

Dum and Rumpoey fall in love as children and continue their affections into young adulthood until circumstances take them away from each other. When their paths next cross Dum has become a bandit and Rumpoey is about to reluctantly enter into an arranged marriage with Kumjorn, the local police captain; but though the two are now at opposite ends of the social pole their love still burns strong. Tears of the Black Tiger is a deliciously over the top homage to the melodrama of films past, to say find out more...

An ex-SS officer, now a hotel porter, meets by chance a young woman who was previously his prisoner in a concentration camp. Unwillingly drawn together again they resume their sado-masochistic relationship. A compelling, though morally ambiguous, study in dominance and submission. find out more...

Life at Camden arts college in New England is a pretty full on affair. There's pitifully little time for the basics, such as sleeping and eating, so relentlessly busy are the students in their tireless endeavour to shag anything, drink everything and consume all narcotics so far known to man. The man whose book this is an adaptation of, Bret Easton Ellis, claims that this comes closest of them all to portraying the world he created in his novels. 'Rules of Attraction' is a dark, nihilistic, amor find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...