"I am dying in time to the splash of their oars - if arms as steady as these had embraced me in life...". This film is Jarman's vision of the life of the Italian painter Michelangelo Merisi da Caravaggio (1573 - 1610). Caravaggio revisits periods of his tempestuous life in a series of deathbed flashbacks and prose-poem voice-overs, focusing particularly on the intense relationship between himself and a couple who model for him in Rome, Lena and Ranuccio. This sexual and violent love triangle eve find out more...

A masterpiece of Soviet Socialist Realism. In 1547, Ivan IV (1530-1584), archduke of Moscow, crowns himself Tsar of Russia and sets about reclaiming lost Russian territory. In scenes of his coronation, his wedding to Anastasia, his campaign against the Tartars in Kazan, his illness when all think he will die, recovery, campaigns in the Baltic and Crimea, self-imposed exile in Alexandrov, and the petition of Muscovites that he return, his enemies among the boyars threaten his success. Chief among find out more...

Ivan takes on the boyars in a battle for power in the second part of Eisenstein's projected trilogy. This was not released till 1958 as Stalin sensed its critical nature, especially its depictation of the secret police. Eisenstein's untimely death robbed us of the chance to see the final part. A Classic. find out more...

find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...