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RIFIFI (1955)

Certification12 Our Rating

Four men set in motion a heist of incredible audacity, a robbery where the level of risk is only matched by the protagonists' meticulous precision, but though the thieves are consummate professionals once the job is done their emotions and animosities begin to threaten the rewards of their hard work. Rififi is renowned for its tense half hour long heist scene in which not a word is ever uttered, and acknowledged as one of the classic examples of French film noir. find out more...
SCARFACE (1983)

Certification18 Our Rating

Chucked out of Cuba as an undesirable by Castro a small time crook claws his way to the top in the Miami cocaine trade. A megolamaniac rise in a twisted version of the American dream. Very violent, foul mouthed and bloody - a telling parable for the 80s. find out more...
SIN CITY (2005)

Certification18 Our Rating

Marv is a lunkhead of incredible strength, an aggressive power he puts to merciless use when his one true love is murdered. Hartigan is the embittered, but moralistic cop who's sworn to protect a stripper and Dwight is the lover of Shellie and the inadvertent dark angel of Gail's Old Town girls, a feisty group of hookers. These are just a selection of the random characters in Rodriguez's adaptation of Frank Miller's Sin City graphic novels and it's difficult to decide which of the two is the bi find out more...

Certification12 Our Rating

A young lad, Jamal, from the slums of Mumbai gets to play as a contestant on the Indian version of 'Who Wants To Be A Millionaire' and, much to the increasing horror of the organisers, looks likely to win the grand prize, there's only one answer: arrest him and find out how he's cheating. It is while under interrogation that we discover how all the trials and tribulations of the young man's life have contributed to his knowledge and the real reason why he entered the game show. 'Slumdog Million find out more...
SNATCH (2000)

Certification18 Our Rating

Turkish and Tommy find themselves in a serious bit of bother when their no-hope boxer knocks out the local kingpin's favourite and more to the point the fighter who was rigged to win. Meanwhile half way across the Atlantic to deliver a diamond to the big boss Avi, Franky Four Fingers allows it to be nicked, which results in a considerably disgruntled Avi sending Bullet Tooth Tony to retrieve both the stone and Franky. Snatch is the second outing for "Lock, Stock" and havin' 'a' larf Guy Ritchie. find out more...

Certification18 Our Rating

Billy Custigan is a rookie cop, but his background in the city's underbelly makes him the perfect man to infiltrate the mob and bring down kingpin Frank Costello. Police officer Colin Sullivan is as straight as an arrow to most who know him, but he's Costello's main man within the police department. Each knows of the existence of the other, but neither knows his identity. This is a world where every piece of information gleaned carries with it the possibility of discovery and death and the relen find out more...

Certification18 Our Rating

A gangster movie that spawned a million with Coppola on top directorial form and Brando and Pacino at their very best. Brilliantly believable and detailed stories unfold complete in every scene as the movie waltzes to its violent moral climax of living and dying by the sword. find out more...

Certification15 Our Rating

Seldom is a sequel better than the original. In this case the exception proves the rule. The full background to the mafia family epic which is also a metaphor for contemporary America. Won Best Picture at the 1974 Academy Awards. find out more...

CertificationPG Our Rating

The famous con man movie in which two Chicago shysters plot an elaborate revenge on the mobster who killed their friend. Brilliant attention to period detail, a superbly put together plot and an overall damn good movie. Won Best Picture at 1973 Academy Awards. Absolutely brilliant. find out more...

Certification18 Our Rating

Peckinpah completely rewrites John Ford's Western mythology by looking at the passing of the Old West from the point of view of marginalised outlaws rather than law-abiding settlers. While never ignoring their brutality he contrasts their code of loyalty with that of the corrupt railroad magnates. In purely cinematic terms, the film is a savagely beautiful spectacle, Lucien Ballard's superb cinematography complementing Peckinpah's darkly elegiac vision. find out more...