Your Chosen Genres [ BFI Top 100 British Movies ] [ Drama ] [ Recommended ] [ Rob Recommends ] Can be Combined with Other Genres. Click here to Combine Genres!
This list is sorted:
Alphabetically
By Rating
By Year Made
And is in:
Ascending Order
Descending Order

CertificationU Our Rating

A classic piece of British cinema, set in the Himalayas, where a group of nuns are leading a tough and isolated existence. As outside influences gradually intrude on the group the sisters find themselves falling prey to human temptation and neurosis. Stunning, erotic and thought provoking. find out more...
BRAZIL (1985)

Certification15 Our Rating

A work of genius. A sort of 1984 gone haywire about a humble clerk and his efforts to find the girl of his dreams. The backgrounds and the details are all superb in one of the most immaginative films ever released, although the studio that put up the money wanted a happier ending. A Must see! find out more...

Certification15 Our Rating

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...


Certification15 Our Rating

A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

find out more...

CertificationPG Our Rating

A truly epic epic and winner of 7 Academy Awards. Lawrence serves British colonial interests during the First World War by uniting the Arabs against the fast collapsing Ottoman Empire. Stupendous cinemascope drama with a cast of thousands and some of cinema's most famous shots; Sheik Ali's emergence from the desert haze and the storming of Aquaba for example. This is the director's cut, a more coherent version than the original cinema release. find out more...

Certification18 Our Rating

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...

Certification12 Our Rating

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...


CertificationPG Our Rating

Based on David Low's cartoon character, Major General Clive Wynne-Candy, VC, we back-track over his life, drawing us into sympathy with the prime virtues of honour and chivalry which have transformed him from dashing young spark of the 1890s into crusty old buffer of World War II. Roger Livesey gives us not just a great performance, but a man's whole life, losing his only love (Deborah Kerr) to the German officer (Walbrook) with whom he fought a duel in pre-WWI Berlin, then becoming the latter's find out more...

CertificationPG Our Rating

The Graham Greene story of black-marketeer Harry Lime, who "dies" and then apparently comes back to life. A totally compelling thriller, set against a backdrop of shattered post-war Vienna and haunted by an evocative zither score. find out more...

Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...