Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

A highly advanced killing machine is brought back from a radioactive wasteland in a state of disrepair. It ends up in a young woman's kitchen where it starts to rebuild itself from household appliances. Adapted from the '2000 AD' comic 'SHOK! Walter's Robo-Tale', this is a critically acclaimed post-nuclear sci-fi thriller with plenty of atmosphere and a great cameo from Motorhead's Lemmy. find out more...

A cure for cancer has morphed into a deadly airborne virus and those it doesn't kill it turns into blood thirsty cannibalistic mutants. Virologist Robert Neville is stranded alone in New York with these neighbours from hell, immune to the virus and desperately searching for a cure that will make them less inclined to take a bite out of his arse. That is pretty much it, this weak adaptation of a dark and intriguing book was originally made into a much more effective and disturbing film, 'The Omeg find out more...