Eric Stanton is a man short on luck, but when he wanders into a small California town he finds something he really wants, waitress Stella, and with the unwitting help of sweet, wealthy June, he plans to have her. All would seem to be perfect until the woman of Eric's dreams is murdered, an event that rests control from his hands. The Fallen Angel is a fine example of the film noir, dark, claustrophobic and intense, with a brooding visual atmosphere that leaves you in little doubt that fate's a'
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FAREWELL MY LOVELY (1944)
CertificationPG Our Rating
A classic noir adaptation of a Chandler novel with Dick Powell as the hardboiled, wise-cracking, incorruptible Marlowe in a seedy, decadent LA of shifting loyalties, unseen evil, phoneys, criminals, old money and family skeletons. Superb dialogue and definitive noir camerawork.
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FORCE OF EVIL (1948)
CertificationPG Our Rating
A seminal 1940s film noir about two brothers trapped in a world of mob corruption and realising too late their unavoidable doom. Force of Evil is a strikingly original example of the genre, dripping in atmosphere and conveying in every word and image a sense of dread. Both the director and the star were blacklisted by the McCarthyite witch-hunts, a situation that obviously influenced their work during the film. Superb.
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HANGMEN ALSO DIE (1943)
CertificationPG Our Rating
Fritz Lang, one of the masters of the German expressionist cinema, turns his sinister imagination and shadowy techniques to a web like take of wartime espionage. Set in Czechoslovakia during the Nazi occupation, the film depicts an Eastern Europe populated by spies, traitors and revolutionaries, a deadly funhouse of political intrigue in which every personal encounter brings with it the threat of betrayal. Much of the nightmarish quality of Hangmen Also Die is attributable to playwright Bertolt
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HIGH SIERRA (1941)
Certification15 Our Rating
High Sierra follows a failed robber broken out of prison by an old associate, who takes part in a failed robbery in which a man is killed, and makes a getaway into the Sierra mountains for a final doomed stand.
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HIGH SIERRA / TREASURE OF SIERRA MADRE (1941)
CertificationPG Our Rating
Two classic Bogart films for the price of one! High Sierra follows a failed robber broken out of prison by an old associate, who takes part in a failed robbery in which a man is killed, and makes a getaway into the Sierra mountains for a final doomed stand. Treasure of the Sierra Madre; 'Gold does funny things to a man's soul'. That's the issue tackled by this seminal movie about the pursuit of money and its effect on the brotherhood of man. Bogart plays the down-and-out Dobbs who hooks up with
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KISS ME DEADLY (1955)
CertificationU Our Rating
After the subsequent murder of a scared running girl he picked up on the highway Mickey Spillane's anti-hero, dodgy private eye Mike Hammer, smells money and follows the threads on a seedy trip through the LA underworld.
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KISS OF DEATH (1947)
CertificationPG Our Rating
Two-time loser Nick Bianco is caught during an armed robbery and pressured to squeal on his cohorts. Nick refuses and does time, but after his wife commits suicide and his daughters are put in an orphanage, he relents and agrees to work for the prosecutor. He gets paroled and straightens out his life, but when psychopathic killer Tommy Udo, a nasty little creep with wild eyes and a high-pitched laugh, is released, he's out to get even with Nick.
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LA BETE HUMAINE (1938)
CertificationU Our Rating
Adapted from Zola's novel, this powerful tale concerns a triangle of love and murder in which a train driver becomes passionately involved with a femme fatale. With its images of trains and railways as symbols of human destiny this is a visually arresting film; Gallic and tragic.
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LAURA (1944)
CertificationU Our Rating
A dark, intriguing thriller. The enigmatic Laura becomes an object of obsession to a hard-bitten journalist and is found dead shortly before her wedding. As the mystery deepens with every twist and turn, the detective on the case also falls under the spell of the tragic beauty. Classic film noir.
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