A young draughtsman is forced into a shotgun marriage. A landmark in English cinema in terms of social realism, dealing with the lives of ordinary people set against a grim Northern backdrop, it remains keenly observant in detail and rather moving in its very unpretentiousness.
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A TASTE OF HONEY (1961)
Certification15 Our Rating
One of the best dramas from the "New British Cinema" of the 1950s and 60s. A young Salford girl gets pregnant by a black sailor after leaving home and considers her options, while fighting off the affections of Jeff, a heart of gold with a funny face. A grittily realistic portrait of the era that will delight fans of Northern cinema.
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BILL DOUGLAS TRILOGY (2007)
Certification15 Our Rating
Douglas' magnificent award-winning trilogy is the product of an assured, formidable artistic vision. These are some of the most compelling films about British childhood ever made. Brutal, angry, bewildered yet also affectionate. Largely autobiographical, following Jamie (eight years old when we first meet him) as he grows up in a poverty-stricken mining village in post-war Scotland. A hard, gritty, hypnotic observation of growing up.
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BILLY LIAR (1963)
Certification15 Our Rating
In order to relieve the tension of depressing surroundings and boring people Northern English working class lad Billy spends most of his time in his own fantasy world. However all could change when he meets Liz and discovers that he may be able to escape into a new, bearable reality. A Brit classic that can be classified as 'kitchen sink' - the comedy.
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The term 'free cinema' was coined by critic and filmmaker Lindsay Anderson in early 1956 when he, Karel Reisz, Tony Richardson and Lorenza Mazzetti showed a programme of their short films at the National Film Theatre. Although the name was intended only for that screening, it proved so successful that five more programmes were shown under the same banner between 1956 and 1959.
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FREE CINEMA DISC 2: FREE CINEMA 6 (1959)
CertificationE Our Rating
The term 'free cinema' was coined by critic and filmmaker Lindsay Anderson in early 1956 when he, Karel Reisz, Tony Richardson and Lorenza Mazzetti showed a programme of their short films at the National Film Theatre. Although the name was intended only for that screening, it proved so successful that five more programmes were shown under the same banner between 1956 and 1959.
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The term 'free cinema' was coined by critic and filmmaker Lindsay Anderson in early 1956 when he, Karel Reisz, Tony Richardson and Lorenza Mazzetti showed a programme of their short films at the National Film Theatre. Although the name was intended only for that screening, it proved so successful that five more programmes were shown under the same banner between 1956 and 1959.
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IN CELEBRATION (1975)
CertificationPG Our Rating
This is the story of an English family and their gathering together for the parents' wedding anniversary. Three grown sons argue while mum wanders about aimlessly and dad waits for the next crisis. Lindsay Anderson's filmic adaptation of David Storey's play.
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IT ALWAYS RAINS ON A SUNDAY (1947)
CertificationPG Our Rating
A truly excellent piece of British filmmaking from the 40s. Housewife Rose Sandigate finds her world thrown into turmoil when an old flame, an escaped prisoner, seeks shelter in the home she has made for herself with her sedate husband George and children. The tension builds between the two as Rose fights her desire to rekindle a much-missed passion. Superbly realised depiction of post war urban England, specifically the East End, and the moral ambiguities that were creeping into society, partic
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KES (1969)
CertificationPG Our Rating
A young working-class lad in a grim Northern mining town has no more ambition than to follow his dad down the pit. However he finds an injured young kestrel, which he nurses back to health and trains, an event which opens up a once bleak landscape for him. It's grim up there.....
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