Adapted from the classic, absurdist, anti-war novel by Joseph Heller. "Catch-22" is the story of Yossarian, a pilot who trys to opt out of flying bombing missions by being declared insane, the catch being that anyone trying to avoid bombing missions by being insane must be sane. This dark classic catches much of the flavour of the book, the insanity, the corruption and the absurdity of war. Think MASH, but non-linear - flawed but awesome.
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FLOATING CLOUDS (1955)
CertificationU Our Rating
Told partially in flashback we learn of a married Japanese man, Kengo, who is sent to manage forests in Indochina, during WW2. Here he meets a young typist, Yukiko, who falls hopelessly in love with him. Despite his promises when he returns to Tokyo it is to his wife that does so and he continues having heartless affairs, while Yukiko is forced to become the mistress of a GI and then a rich businessman, anything to survive.
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LATE CHRYSANTHEMUMS (1954)
CertificationPG Our Rating
The post-WW2 struggles of four fading Japanese beauties for whom the glamor of youth has passed; Kin has become a calculating cold-hearted money-lender, and even her best friends, fellow ex-Geishas Tomi, Nobu and Tamae, are in hock to her. She also has two former lovers pursuing her; one she wants to see and the other she doesn't, but when the former turns up he proves to be a great disappointment. Tomi and Tamae have children, but their relationships with them are troubled. Meanwhile Nobu and h
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MINISTRY OF FEAR (1944)
CertificationPG Our Rating
After two years in an asylum Stephen Neale is released into the insanity that is WWII England, where he stumbles across a murderous spy ring and doesn't know whom he can trust. An atmospheric, expressionistic, war time thriller, packed with unforgettable scenes, starring Ray Milland and directed by the wilfully left-field genius that is Fritz Lang.
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SALO, O LE 120 GIORANATE DI SODOMA (1975)
Certification18 Our Rating
Based on the Marquis de Sade's novel, 120 days of Sodom, and transposed to Fascist Italy circa 1944, this is Pasolini's most controversial work. Pasolini observes with unflinching gaze the systematic humiliation and torture of beautiful young boys and girls, herded into a palatial villa by various jaded, sadistic members of the wealthy upper classes. According to the director, the story was meant to be a metaphor for Fascism, but the revolting excesses shown on screen coupled with the fact that
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SLAUGHTERHOUSE-FIVE (1972)
Certification18 Our Rating
The film version of Kurt Vonnegut Jr's famous anti-war sci-fi novel. Slipping back and forth along his own life line a suburban optometrist experiences the fire bombing of Dresden and captivity on the planet Trafalmardore. A powerful and seemingly unfilmable book that turned out to be a great movie.
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