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Certification15 Our Rating

A morally ambivalent tale of two policemen involved in various battles; for the top job, to put an end to a violent gang, to protect their snitches and, we are led to believe, in the past over a woman. Both policemen bend the laws beyond the limits of decency to achieve their ends in this dark and gun-slinging thriller set against the backdrop of a neon-lit Paris underworld. find out more...

Certification15 Our Rating

An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant find out more...

Certification18 Our Rating

The first and best of the Italian "Mexi-Westerns", on a par with Leone's and with a haunting soundtrack. An American mercenary teams up with a bandit on the fringes of the revolutionaries in order to assinate their leader. A violent political film from the same pen as The Battle Of Algiers. find out more...
DJANGO (1965)

Certification18 Our Rating

One of the finest Spaghetti's in the west! Banned for 25 years, it has lost nothing of its hard-edged impact. The gringos are bad and the law are worse! The hero, Django, dispenses justice from a smoking Gatling gun, and sounds like a dubbed Clint Eastwood. Absolutely superb! find out more...

Certification15 Our Rating

Cockney safe-cracker Dom Hemingway is released from prison after serving a 12-year sentence for refusing to snitch. Eager to collect his reward from suave, psychotic mob boss Mr Fontaine, Dom heads to southern France with his only friend and accomplice Dickie. Dom is a drug fuelled, sex obsessed, self-regarding, over compensating sociopath…all good, but find out more...


Certification15 Our Rating

Four adopted brothers set out to avenge their mother's death, but they soon realise that what seemed, at first, to be a random grocery store robbery was no accident. For those who are expecting a film with the incite and acutely observed characters of Singleton's groundbreaking Boyz N the Hood, Four Brothers, a film rooted firmly in the 'let's kick some serious butt' and 'take no prisoners' territory, may disappoint. If you are looking for a solid, high adrenalin, action movie then Four Brothers find out more...

Certification15 Our Rating

Lucky grows up in a South African township in the post-apartheid era and is caught between the desire to go university and the lure of easy money from violent crime.
A decade on an we see him as a struggling taxi-driver before his transformation into a businessman who uses violence to reclaim inner-city Joburg tenement blocks from the drug-dealers and hookers who inhabit them and from the rich white slum landlords who own them. Thus the ambitious gangster realises an aim of the revolution find out more...

CertificationPG Our Rating

Running from the law after a bank heist in Mexico, Dad Longworth finds an opportunity to nick the stolen gold and leave his partner Rio to be caught. Years later, Rio escapes from prison and hunts down Dad, now a respectable sheriff in California and living in fear of Rio's return. find out more...

Certification18 Our Rating

If on this side of the Atlantic the image of American college ritual Spring Break remains something of a caricature of wanton debauchery, this is unlikely to be altered by Harmony Korine's film, a lascivious story of four WASPish girls whose mid-term holiday descends into a hazy nightmare of booze, promiscuity and guns. The neon-hued aesthetic and dreamy ellipses both suggest Michael Mann directing an episode of Jersey Shore, but it's never clear whether this is all late capitalist find out more...


CertificationPG Our Rating

The western as myth; hill's story of the James/Younger gang and the violent hunt for them revels in it's connections with the genre as passed down from Ford, Hawks and Ray. The gangsters are revealed as representing a wider community, the defeated Confederacy, small farmers and their extended families in general, with their victims being some combination of class enemies, uncaring, urban and Northern, and hence how they became folk heroes in their home state of Missouri... and all with a great s find out more...