Nothing more can be said about this classic melodrama from the peak of the Hollywood studio-film era. Hardened cynic Bogart softens when he meets old flame Bergman who is now a refugee in neutral wartime Casablanca. Together they outwit the Germans... and of course there's that famous song. Watch this classic or some day you'll regret it. Maybe not today, maybe not tomorrow...
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RIFIFI (1955)
Certification12 Our Rating
Four men set in motion a heist of incredible audacity, a robbery where the level of risk is only matched by the protagonists' meticulous precision, but though the thieves are consummate professionals once the job is done their emotions and animosities begin to threaten the rewards of their hard work. Rififi is renowned for its tense half hour long heist scene in which not a word is ever uttered, and acknowledged as one of the classic examples of French film noir.
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SCARLET STREET (1945)
CertificationPG Our Rating
A remake of Jean Renoir's 1931 film 'La Chienne', this is Hollywood film noir at it's bleakest and most psychologically tortuous. Edward G Robinson plays a middle-class, middle-aged painter who becomes obsessed with an actress-cum-prostitute played by Joan Bennett. An incisive script, haunting score and claustrophobic visuals.
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THE BIG SLEEP (1946)
CertificationPG Our Rating
The original and best version of the detective thriller classic. Philip Marlowe is hired to investigate the gambling debts of a rich man's daughter, but is plunged into a twilight world of intrigue, blackmail and violence. Stylish and gripping.
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THE LONG GOODBYE (1973)
Certification18 Our Rating
This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C
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THE MALTESE FALCON (1941)
CertificationPG Our Rating
Treachery and deception in this classic film noir as various groups of low life characters try to lay their mits on the ancient treasure. Sam Spade is the honest fall guy. One of the best Hollywood films ever and certainly one of the best of its type. Initiated the move away from gangster movies.
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