David Lean's epic romance set against the turbulant backdrop of the Russian revolution. One man's struggle for moral political and personal survival amidst the complex web of intrigue and tangled loyalties that accompanied the fall of the Tsar.

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It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...

The John Huston classic about the prim missionary lady forced to team up with a drunken ne'er-do-well for a dangerous journey when the war comes to their remote bit of Africa. Their trying odyssey downriver, of course, gradually sees the two incompatibles falling in love, with the as always detached Bogart finally discovering commitment and attacking a German gunboat. find out more...

One of the finest of the genre, this classic western follows two men whose initial contempt for each other's methods, one a hard man rancher, the other a naively honest lawyer, develops into respect when faced with the the town's local hoodlum. Tense, absorbing and not without wit. Superb. find out more...

Laughton's only stab at directing, with Mitchum giving a stunning performance as the psychopathic preacher who, whilst in jail for a minor offence, hatches a devious plan to get his hands on the loot stashed by his condemned cell-mate. Set in '30s rural America, the film polarises into a struggle between good and evil for the souls of innocent children. Laughton's deliberately old-fashioned direction throws up a startling array of images: an amalgam of Mark Twain-like exteriors (idyllic riversid find out more...

Set against the background of the English Civil War, this tale of the violent persecution of alleged witches by the eponymous central character is a masterpiece of 60's British cinema. Excellent performances, (especially Vincent Price's), complement evocative use of scenery. One point of interest is the changes in film stock, which makes the film appear redder at the end than at the beginning, a deliberate ploy on behalf of the director who uses the deepening crimson to symbolise the story's find out more...