Episode 17: Cutbacks. Liz is willing to do anything to avoid cutbacks at T.G.S., while Jack is forced to fire his personal assistant and hire Kenneth as his part-time assistant.
Episode 18: Jackie Jormp-Jomp. Jack tries to turn an accidental obituary for Jenna into a marketing opportunity for her Janis Joplin-based biopic. Meanwhile Liz makes friends with a group of single women while away from work for sexual harassment.
Episode 19: The Ones. Jack has second thoughts about marrying find out more...

Liz Lemon, (Tina Fey) is the head writer on a variety series on NBC Studios. With the Jack Donaghy as Vice President of East Coast Television, played by Alec Baldwin, Series four sustains the same standard that has maintained it so far with plenty of exceptional moments. The characters are still all hugely dysfunctional and written with enormous affection and comic effect. The situations beautifully constructed. This set contains all the episodes from the show’s fourth series.

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At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived.

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A young filmmaker attempts to understand his life by recording it on film, only to have his experiment turn into an alienating, voyeuristic obsession. One of the neglected milestones in contemporary film history, this legendary independent classic captures the state of mind and the state of the art in late 1960s America. find out more...

A seminal piece of movie-making, a montage of Moscow life in 1929, using all sorts of new techniques, dissolves, split screens, slow motion and split screens. Vertov's exploration of the relationship between camera, actuality and history opened up issues that have been explored ever since by the likes of Godard in particular. This tape includes two versions of the film, the first with music from the Alloy Orchestra and the second with a commentary by leading cinema historian Yuri Tsivan. A radic find out more...

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...

A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie. 

 

Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...

If you thought Hedwig and the Angry Inch was a film unlike any other you'd seen before, get ready for Shortbus: a frank and fun film about the sex lives of humans, ostensibly set in New York, but relevant to every one of us. The plot plays a supporting role in what is, in many ways, a beautifully disguised self-help documentary. Sex therapist Sofia (played by Canadian radio star, Sook-Yin Lee) has frequent, athletic (yet frustratingly unfulfilling) intercourse with her boyfriend. Her seeming ina find out more...

Investigates the history, process and workflow of both digital and photochemical film creation. It shows what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital. Where we are now, how we got here and what the future may br find out more...