The collection opens with Len Lye's modernist abstraction ‘Tusalava’, which, heavily influenced by Maori and Aboriginal art, shares an interest in ‘primitive’ cultures that was typical of the Modernist movement of the time. It was almost refused a certificate by the puzzled British Board of Censors who suspected that the dancing abstract shapes might be about sex. Lye's own explanation was that it showed the beginnings of organic life. ‘Crossing the Great Sagrada’, is a lowbrow spoof on travel find out more...

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"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...