LOVE IS THE DEVIL: STUDY FOR A PORTRAIT OF FRANCIS BACON (1998)
Certification18 Our Rating
A fascinating biopic of Francis Bacon, concentrating on his relationship with George Dyer, a burglar whom he caught in his house and promptly seduced, whose amorality and innocence he found attractive and whom he introduced to his Soho pals. Dyer's bouts with depression, his drinking, pill popping and nightmares strain the relationship in this clash between the arty, boozy Soho set and the East End criminal fraternity, as does his pain with Bacon's casual infidelities. Bacon paints and talks wit
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MIDNIGHT COWBOY (1969)
Certification18 Our Rating
The best "buddy" movie ever made. Voight plays the naive rhinestone studded small-town boy who dreams of becoming a big-city gigolo, Hoffman is the frail, sickly hobo he takes under his wing. Stunning performances from both make this an outstandingly powerful and touching film. Very stylish. Won Best Picture at 1969 Academy Awards.
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MY BEAUTIFUL LAUNDRETTE (1985)
Certification15 Our Rating
This is the story of a young Anglicised Pakistani and his erstwhile fascist ex-schoolmate, Johnny. Together they run a dilapidated laundrette, given to Omar by his rich uncle, and decide to turn it into a veritable palace, despite the hostility of Johnny's skinhead friends and Omar's cousin.
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SALO, O LE 120 GIORANATE DI SODOMA (1975)
Certification18 Our Rating
Based on the Marquis de Sade's novel, 120 days of Sodom, and transposed to Fascist Italy circa 1944, this is Pasolini's most controversial work. Pasolini observes with unflinching gaze the systematic humiliation and torture of beautiful young boys and girls, herded into a palatial villa by various jaded, sadistic members of the wealthy upper classes. According to the director, the story was meant to be a metaphor for Fascism, but the revolting excesses shown on screen coupled with the fact that
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