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CertificationPG Our Rating

Mind those steps! Perhaps the most famous movie scene in the history of cinema. The documentary style story of mutiny aboard the Potemkin as the sailors fight oppression and fire on Tzarist troops attempting to quell rebellion in the city of Oddessa. Almost every shot is so beautiful it could work as a still. find out more...

CertificationU Our Rating

A landmark in the history of the cinema; it was ranked Number 1 in the American Film Institute's 100 greatest films of all time in two polls (1998 and 2007) of more than 1,500 film industry movers and shakers and again by UK directors in a BFI poll. "Citizen Kane" narrates the rise and fall of a newspaper tycoon driven by a childhood obssession and is loosely based round the life of William Randolph Hurst, who tried to have it banned, but incorporates elements from the lives of other fat cats il find out more...

CertificationU Our Rating

An immensely influential silent film that intercuts 4 short stories from history. Intolerance and its terrible effects are examined in four historical eras; in ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St Bartholomew's Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives find out more...

CertificationPG Our Rating

Based on David Low's cartoon character, Major General Clive Wynne-Candy, VC, we back-track over his life, drawing us into sympathy with the prime virtues of honour and chivalry which have transformed him from dashing young spark of the 1890s into crusty old buffer of World War II. Roger Livesey gives us not just a great performance, but a man's whole life, losing his only love (Deborah Kerr) to the German officer (Walbrook) with whom he fought a duel in pre-WWI Berlin, then becoming the latter's find out more...

Certification18 Our Rating

Peckinpah completely rewrites John Ford's Western mythology by looking at the passing of the Old West from the point of view of marginalised outlaws rather than law-abiding settlers. While never ignoring their brutality he contrasts their code of loyalty with that of the corrupt railroad magnates. In purely cinematic terms, the film is a savagely beautiful spectacle, Lucien Ballard's superb cinematography complementing Peckinpah's darkly elegiac vision. find out more...