Witold just failed his law-school examinations and Fuchs has just quit his job at a Parisian fashion company. Arriving for a few days away at a so-called family guest-house, they are greeted by a series of unsettling omens: a sparrow hanging in the forest, then a piece of wood in the same condition, and finally signs on the ceiling and in the garden. In this guest-house there is also a baleful mouth, that of the maid, and a perfect mouth, that of the young woman of t find out more...

Bearing the same title as the F. W. Murnau classic, shot in black and white and divided into two distinctive yet complementary storylines. Whilst the first part, shot in 35mm and in th find out more...