Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

Evan is a likeable, hardworking student, his only flaw is a memory disorder which he may, or may not, have inherited from his father. Advised to keep a journal Evan accidentally discovers that if he reads certain passages he is transported back in time, an opportunity to write some of the wrongs from his youth that he cannot resist. Unfortunately for Evan, tampering with the past proves to be a messy affair, and far from sorting things out he merely succeeds in making matters worse. "The Butterf find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...