Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
Cobb is a skilled thief in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious mind when at its most vulnerable, during sleep. However, one last job could prove a step too far as his team have to pull off an 'Inception'. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one.
Superior blockbuster fare that will delight some even after repeated viewing, whil
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